Who’s Schoodic, and What’s the Point?

I have been granted a great gift: a two-week writing residency at Acadia National Park, in Maine. I am staying on the Schoodic Peninsula (pronounced SKOO dic), a smaller area of the park that’s separate from the main section on Mount Desert Island (site of Bar Harbor and Cadillac Mountain). I am a short walk from Schoodic Point.

This is a daunting assignment for a writer, because where are the words that do the place justice? Do they even exist? At one point, I found myself envying the visual artists, who with their paint boxes can render some facsimile of the broad boulders by the gulf, the steel of the sky in the mist, the patterns of mosses and lichens that constantly draw the eye. I may need to sort through thousands, even millions, of words to arrive at an adequate description.

In the meantime, I’ve been given time to roam, and this is the best gift for a writer—at least for a nature writer! I roam and write, roam and write. I go to the Point and sit and watch. Or close my eyes and listen. Or lay on the rocks and inhale the salt-infused air.

I pray. Often I try to stay still but am drawn by a small pool a bit farther out, or tiny spiders that look giant through my binoculars, or a shining, black rift in the rock.

The crevices tell an old, geologic tale

I thought perhaps there was some colonial guy, maybe a Dutchman, named Schoodic. But it turns out the name probably derives from the Mi’kmaq word eskwodek—“the end,” or possibly the Passamaquoddy word for “the burnt place”—scoudiac. For me, this “end” has been a beginning, or maybe a return. Although I spent much of my childhood at Jones Beach, on the South Shore of Long Island, and although I live not far from the Sound (now on the Connecticut side), I don’t visit the the coast very often. More often, I pass by it. And although I am a nature writer, I tend to focus my words further inland, about my immediate surroundings. It’s good to again survey the edge of the land, and think about the life beyond it.

I am learning so much. A brother of a friend is a park ranger here, and he graciously invited me to see Tom Wessels, author of Granite, Fire, and Fog,  speak. He talked first about granite, and how the glaciers shaped things. But geology doesn’t always grab me—somehow it feels too abstract, too slow-moving (glacial pace, and all) to for me to grasp.

Beard lichen

He had me at lichens. Among the first specifics I noticed here, once I stopped dropping my jaw at the multitude of sweeping, water’s edge vistas that met me at every curve, were the generous “Old Man’s Beard” lichens that hang from so many trees. They are on a maple outside my apartment here, but I think the author said they especially favor spruces. The often-misty climate promotes a different environment, and, as Wessels said, different “communities” of growth, which translates into a truly unique landscape. Get this: fog droplets contain 1000 times more nutrients than rain. So, lichens at Acadia grow comparatively quickly. Still, they are quite slow-growing composite organisms (not plants—they are made of algae + fungi).

They are EVERYWHERE!!

Even the ordinary seems amped up here. (Of course, I may be high on freedom. Or on the salt air.) The rabbits (or hares?) are more approachable, and (apologies to grey squirrels back at home) the squirrels (red here) are cuter and less shy, too. There is an endless variation of color in and on the rocks (I learned that crustose lichens are actually welded down into the rock; almost like they are painted on!). I like looking close up at the snails that hold court on so many surfaces.

Snails and barnacles by the millions

I went to the Oceanarium to learn more about the creatures beyond the edge. The touch tank host held up sea cucumbers, sea urchins, sea stars, horseshoe crabs, moon snails, etc, presenting fascinating, often outlandish details about each one. For example, sea cucumbers can spill their intestines in response to an alarming event, and suck them up later. You can’t make this stuff up.

Having my family join me was a joy. We had dinner at The Pickled Wrinkle  and actually tried some wrinkles, and some deep-fried dulse. Before that, we had worked up our appetites around some low-lying areas of the peninsula.

I have to admit, I was concerned about how things might change when the guys joined me. I was a hermit of sorts in the week that I was here alone. I did what I wanted, when I wanted. I wrote for hours. I walked for hours. I was silent for hours.

We talked over dinner about the hermit life—about how Thoreau lived alone in his cabin but walked to town for companionship and had guests come over. Gavin described how the protagonist in a book he loves, Ed Stafford of Naked and Marooned, relished the idea of being alone and planned a whole adventure around the concept, in the South Pacific. But eventually he craved human companionship and hid nearby when he knew humans were going to be on his island, just so he could see them. It’s the rare person who truly does not want any kind of contact. (See The Stranger in the Woods, a Maine story, for one such case).

Gavin in his element

The deepening of dimension that comes with other humans became clear to me right away when the guys arrived. I thought I had been pretty adventurous this week—scaling fairly steep trails and venturing alone into varied terrains. But within a half hour of Tom and Gavin’s arrival, my shoes were muddier than they’d been all week. Gavin was eager to check out the flats, and we squished about admiring the “bubble” seaweed and snails and natural sponges. After dinner, Tom, who had driven a long way on little sleep (thanks to our dog’s urges for nocturnal walks), passed on a walk to the Point. But Gavin and I went, and I rejoiced in his joy at leaping boulder to boulder, embodying the effortlessness and energy of youth and health.

Stalking the wild strawberry

He noticed things I had noticed when I arrived, like the beard lichen. But also new things, like wild strawberries on the grassy walkway back toward our temporary home. On the way back from the Point, he spotted the silhouette of a porcupine crossing the road. And a colony of spittle bugs inhabiting the roadside grass. I’ve had a room of my own at Schoodic Point, and it’s been a dream. I churned out two longer- and deeper-than usual pieces and roughed out ideas for quite a few more. But I can see now that even a landscape such as this only goes so far, if it can’t be shared.

Spittle bug community

We humans need each other, and we each bring a unique perspective about the natural world. We also have a crucial role to play here. I discovered a writer I hadn’t heard of before: Louise Dickinson Rich often focused on Maine. She died in the early 1990s, but reading her words, I am sure I would have liked to know her, had I the chance. I end with an “Amen!” to her words at the end of The Natural World of Louise Dickinson Rich:

Man, who cannot swim as well as a fish, nor fly as well as a bird, nor support himself on bare ledges as well as a lichen, is the observer, the recorder; because there is no one else—not the bird, not the rowan, not the lichen or the fish—who is capable of doing it. Perhaps all his other achievements are less than this, that he watches, and makes the record, and tries to find the meaning. He alone cares, and in that caring, perhaps, lies his weakness and his very great strength.

Posted with gratitude to Acadia National Park, which, by granting me the writing residency, has made so much possible! 

Join the Club (Moss)!

One of the best things about being out in nature is the absolutely limitless supply of opportunities to learn. On par with that plus are the many reasons for hope and delight to be found in places as seemingly humble as the forest floor.

My latest study—and also hopeful venture—is club moss. This link leads to the inaturalist page for Connecticut club moss sightings. I am particularly enamored of running pine moss, which really does look to me like a little figure that’s about to dash off a la the Gingerbread Man of childhood story books (it’s pictured in above link)! But most often, in the Cockaponset State Forest behind our house, I see princess pine:

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According to inaturalist its spores used to be used as flash powder (in early photography or magic tricks ). I know if I tell Gavin he’ll want to try that out pronto, and preferably with bushels of spores. Come to think of it, some adults I know would be right on that, too. (Can’t vouch for how to do this, or for safety. Also, some states list the plant as endangered, likely a result of earlier enthused harvesting.)

This Massachusetts land trust’s site has a nice write-up about the princess pine. What I like best about this diminutive species, which is not a pine at all, is its evergreen-ness. It comforts me when I think ahead to the depths of winter. It is also such a pretty and precise-looking plant.

Before I read The Beginning Naturalist by Gale Lawrence, I’d assumed that the princess pine and other similar club mosses were baby evergreen trees. But they are already fully grown, and they are not in the conifer family. Confusingly, the club mosses are not mosses, either. They are closer to ferns. The “club” refers to the club or spike that shoots right up from the plant—it is coated with a fine layer of spores. The growth from spore to mature plant takes a full 17 years, but some plants can also grow by sprouting along the same stem.

Gale Lawrence’s chapter on these plants amused me, because she refers to the “attacks of the Christmas decorators.” Determined crafters let loose in the woods can pull up whole long underground stems of club mosses for weaving into wreaths, wiping out that impressive life cycle with one good yank. Even without the greenery of Christmas in mind, it is a bit tempting to imagine taking one of these miniature (non) trees home. But the happy-seeming plant has worked too hard to become a pet. Best to visit it in its “home in the loam,” beside its mushroom, acorn, and looming tree neighbors.

BONUS photo for those who read to the end! 😉 : the decorative lichens (or could they be mushrooms??) adorning a stump in our yard! This is just a bit blurry, but I can’t be the only one who thinks these are simply gorgeous.

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Indian Summer: Just 9 Days

Web photo (mine)I’ve tossed the term around since first hearing it in childhood: Indian Summer, indicating a surprisingly warm period after we’ve already had a cold snap. Well, I got the general idea right. But according to The Old Farmer’s Almanac, Indian Summer must technically fall between November 11 and November 20. So as I write this, we’re almost at this very specific window, although I do wonder if the Almanac people do any adjusting in light of climate change! There are more criteria than just dates, though:

“As well as being warm, the atmosphere during Indian summer is hazy or smoky, there is no wind, the barometer is standing high, and the nights are clear and chilly…The time of occurrence is important: The warm days must follow a spell of cold weather or a good hard frost.”

Why the term “Indian?” The Almanac’s prevailing opinion is that it refers to how the Native Americans could have “one more go” at the early New England settlers when the weather turned warm again. I prefer the story about the early Algonquians’ belief that the warm weather was sent by their southwestern god, Cautantowwit.

lichenWhether or not it’s fallen into the prescribed time period, creatures great and small here in Connecticut have been enjoying this reprieve from the autumn chill. Just a couple of weeks ago I awoke to find our porch begonias dead from the overnight frost, their rosy blossoms “bleeding” onto our yellow railing. But then it turned positively balmy again. Over the last week or so I’ve seen bees lingering over the asters. I photographed a jewel of a spider’s Web on our front hedge. And I’ve walked through the Cockaponset (conveniently located behind my home), admiring its generous décor of mushrooms and lichen. These moments, usually grabbed after Gavin gets on the bus and before I have to drive to work, are deeply appreciated as the days get shorter and the trees shout out their gold and orange songs.

One day, I was in a cranky mood and was positively stopped in my tracks by the gleaming gold in the afternoon sunlight outside. I really felt that I was being shouted at, reprimanded by beauty: how bad can it be when I’ve got this display right outside my door?

gold leaves

Robert Frost said it best: nothing gold can stay. But isn’t that why we treasure it so?:
Nature’s first green is gold,
Her hardest hue to hold.
Her early leaf’s a flower;
But only so an hour.
Then leaf subsides to leaf.
So Eden sank to grief,
So dawn goes down to day.
Nothing gold can stay.

Dirt—I mean Soil—Rocks!

I picked up an older nature book today. I was twelve when it was published, and that summer in 1979 I wandered hills and meadows not far from where Gale Lawrence published The Beginning Naturalist in Shelburne, Vermont.

At first I was a little antsy about how very basic the book was, with chapters like “Winter Trees” and “Robins.” It’s not that I don’t appreciate both heartily, but this book falls more into the “informational” than the “lyrical” category. I am impressed by the dazzle of both words and nature and this reads more like a series of little talks a trail guide might present; not too many word arabesques and pirouettes!

But when I flipped through the pages, it didn’t take long to realize that I needed just such a basic guide. I was particularly struck by how little I knew about dirt! Okay, make that soil (turns out they mean different things: dirt is basically soil that’s left its original ecological home).

Probably well before that 1979 copyright, I must have learned about the origins of soil in school. But I honestly haven’t thought much about it since—how soil is basically weathered and eroded rock, mixed in with what plants and animals contribute. Lots of things work on the rock, which is so misunderstood as an immutable object—it’s changed by wind and rain, plants, and the acid secreted by lichens (which are actually algae and fungi working together). When lichens die, they disintegrate and mix with tiny rock fragments, and the resulting little patch of dust nestled in a tiny crack can be the perfect home for a new plant. On and on it goes until there’s more plant than rock.

Trying to watch the process would be eons longer than watching paint dry, but I appreciate that it’s happening in slo mo, with that verdigris color, that patina so many lichens sport a fitting hue for such a worthy vintage endeavor.

John Muir had a way of getting at the interconnectedness that sometimes a good nature book, and often a long walk, can convey. In My First Summer in the Sierra, he wrote:

Everything is flowing — going somewhere, animals and so-called lifeless rocks as well as water. Thus the snow flows fast or slow in grand beauty-making glaciers and avalanches; the air in majestic floods carrying minerals, plant leaves, seeds, spores, with streams of music and fragrance; water streams carrying rocks… While the stars go streaming through space pulsed on and on forever like blood…in Nature’s warm heart.

PS: I’m adding a new link here on the site to Mile…Mile & A Half, a movie about a hike along the John Muir trail. It’s a real cinematic treat for anyone who loves to walk, loves nature, and especially for those who hope to hit a long trail with a serious backpack someday.