Moths, Mushrooms, and Umwelt

Lately, I’ve been reading Central Park in the Dark, by the same author (Marie Winn) who wrote Red Tails in Love. Her reports of a robust animal and insect world thriving right in midtown Manhattan are such a comfort to me. And they remind me that, with nature, there is always much more going on than what we notice at a casual glance.

white mothTake moths, for example. They have always loved my porch, but this year they are finding their way inside more, to the grow light that overhangs my modest crop of hydroponic tomatoes. They flitter their way into the sink way too often—are they seeking hydration or just attracted to the water’s glimmer? In any case, I have made valiant, if not always successful, efforts to rescue them. The antique milk can on the porch has become a moth rehab facility–a place where they go to dry out. Bonus fact, which I learned after writing a poem about moths alighting on my arms: they crave the salt in our skin! We might not think as kindly of them if they found ways to extract it the way female mosquitoes, or ticks, access what they find to be our most alluring qualities.

iridescent moth

I was reminded, however, by the Central Park book that most moths’ lifespans amount to less than a few weeks. This greatly saddened Gavin, so I told him about something else that I had learned about: the idea of umwelt. A musty but lovely second-hand book I found, The View from the Oak (Judith and Herbert Kohl), talks about a term used by another nature writer “to describe the world around a living thing as that creature experiences it.” Imagine, for example being an ant, living your whole life in a particular corner of a field, pebbles like boulders to you and your vibratory sense your only means of communication. That experience, that way of living and perceiving, is your ant umwelt. I apply that same concept to time, too. The moth that lives its full few weeks is likely not comparing itself with humans and crying over its piteously short stay on the earth. We humans have our own time umwelt, so we don’t tend to bristle over the lifespans of Galapagos Giant Tortoises, who live for upwards of 100 years (or Ocean Quahogs, who can live for 400+!).

Another umwelt I found myself wondering about was the perspective of the slug. Of course, I’ve seen slugs here and there throughout my life, but only on a recent jaunt at Fountain Hill did I notice groups of them sitting on mushroom caps.

mushroom with several slugs

Can you see the 4 slugs feasting?

How long did it take them to climb up there? Was it like summiting a high mountain peak? It made me wonder if slugs eat mushrooms, and the article I found from a 2010 issue of Fungi was called What We Don’t Know About Slugs and Mushrooms—the scientists seem pretty clear that slugs eat fungi but not so clear on specifics. One of the problems is that it’s the mushrooms, not the slugs, that are usually the subject of any the available photos that might prove slug fungus consumption, and most of the time photographers don’t want to photograph the slugs at all. It’s not just with most photographers that slugs get a bad rap—and I understand that they eat our garden greens—but I do think that if they were better looking they might be treated better. Hopefully in their own little slug umwelt they don’t realize how their slimy looks count against them. But if they do, Gavin reminded me that there is an Ugly Animals Preservation Society that they can turn to for support.

July is such a rich, moist, spilling-over-with-abundance time in Connecticut. This morning I counted 13 rabbits on my walk down to Town Dock, and funnel webs from the grass spiders, highlighted by the dew, dotted nearly every lawn—an uncountable array of spider condo complexes. My own, personal umwelt is a happy one because of this.

I count at least 19 funnel-shaped webs in this small patch of lawn

I count at least 19 funnel-shaped webs in this small patch of lawn

Once Around

Both this weekend and last, I suffered from painful cases of the Shoulds. My long scroll of a TO DO list seems to be ever lengthening, and at the top are household chores by the dozen.

So I compromised last Sunday. I would walk Molly for 1 hour only. It takes an hour to foot the mile to town and back with this beagle who follows her nose, who strains with vigor and passion at the leash whenever a new smell beckons.

We set out at sunrise, treated to a Hallelujah Chorus from (mostly unseen) birds in the thick pines that line our yard. I admired a garter snake on the asphalt and right after that the prolific leavings from a neighbor’s cottonwood tree (it looked like snow was lining her driveway!). I later learned that “nuisance” cottonwoods have a lot going for them, and a proud history. I also read up on why birds sing at dawn, or at least the latest attempt to explain this mystery. (Science fully respected, but I think I’ll always experience the chorus as the ultimate hymn of joy and praise).

bobwhiteMy compromise morphed into a substantial ramble when I learned that Tom and Gavin were also up early. They met Molly and me at town dock, where we had breakfast and gazed out at the water. We watched a heron and tailed a pair of Northern Bobwhites ambling along Kirtland Street. We climbed the gradual hill to Mount Saint John, a stately fixture of Deep River since 1904. Tom photographed a bluebird peeking from its house on the grounds.

BluebirdHouse

MollyonWall

There were still Shoulds to return home to. In the hours following this happy indulgence, I caught up with the laundry and restored some sanity to our household environs. But I am so glad I took that 1-hour walk that turned into a 2-plus hour walk. And that later, we all took the drive to Middletown so we could learn about caterpillars and gather some phenology (the study of what happens, and when, in nature) data, courtesy of the Connecticut Forest and Park Association. Phenology matters, much more than housekeeping and crossouts on the daily To DO list, and here’s a brief article that gives examples of why.

Why I Walk Early, and (Blog) Hopping into Spring

fallenRobin's eggI love my walks, so often crammed in before work hours or weekend errands. I love it when creatures become more prolific with the warmer temperatures and start to cross my path again in greater numbers. So many are busy making new families now. Soon flowers will be easier to find just by following my nose, and moths of every size and shape will crowd the front porch, greeting me when I first step out in the morning.

Mary Oliver wrote a stunning poem called Why I Wake Early, and that ran through my mind the other day before work, as I watched a rabbit’s white tail hop away into the brush, looked for fallen eggshells, and snapped photos of mourning doves and a red-winged blackbird in the branches. Why I walk early also merits an ode. Although I could wax wordily on about it, I’m keeping my explanation here mostly in the form of pictures for a change.

After the pictures comes my participation in a blog hop interview–my nomination was bestowed by my writing group friend Laurie Baxter, and it gives me a chance to say a little bit about my burgeoning book and my writing life. Laurie is a prolific writer, and I’ve enjoyed every play and story that she’s shared with me, as well as her boundless enthusiasm for words and life, generally. Most recently I indulged in her Kindle Veronica Mars novella–a fun and engaging read that brought me back to my guilty pleasure watching the series on Netflix. I’d love to be as spunky and clever as Veronica, or as Laurie, for that matter! I think this blog hop is mostly for fiction writers, so am honored that my mostly nature writing self has been welcomed in. (You know how that goes, though–now I am letting other nature-centric writers into the party!) Interview after the pictures, along with nominations for the next blog hoppers!

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Early spring visitors.

Pratt Cove. I spotted a vulture on a nest. The birders lining the railroad tracks told me that's what it was!

Pratt Cove. I spotted a large bird on a far-off nest, flapping its wings. The birders lining the railroad tracks told me it was a vulture!

Can you spot the red-winged blackbird. iPhone shot requires use of squinting and imagination

Can you spot the red-winged blackbird? iPhone shot requires use of squinting and imagination

Mourning dove couple, next door neighbors to the blackbird.

Mourning dove couple, next door neighbors to the blackbird. I have plans to buy a camera with a decent zoom lens, but nonetheless treasure these silhouettes against the bright blue sky.

Can't swear that these are bona fide fiddleheads--they seemed awfully big to me.

Can’t swear that these are bona fide fiddleheads, as in good eating–they seem awfully big to me.

What is your working title of your book (or story)?

Cabinet of Curiosity: Talismans from New England Rambles. I’ve also written and self-published Harriet’s Voice: A Writing Mother’s Journey and Things My Mother Told Me (more below about the self-publishing experience). I have participated in an anthology called Get Satisfied: How Twenty People Like You Found the Satisfaction of EnoughThis link leads to a lot of my published articles, essays, and poems. There are a bunch of links here on the blog, too.

Where did the idea come from for these books?

The germ of the Cabinet idea came when my son Gavin was still quite young, and I was (as I still am now) working as a medical writer and writing creatively on the side. I carried an acorn home with the idea that I’d bring something home from each walk and use it as a writing prompt. Many years later, Gavin and I started a shoebox full of specimens we’d gathered during time in nature, a real-life Cabinet of Curiosity. It’s a tangible representation of the experiences and revelations I work to convey in the book.

These days, I am at least 80% focused on nature writing, and the essence of the Cabinet book and my piece in the anthology springs from the powerful experience of connection I have when spending time in nature. But my other works, come to think of it, have been about powerful connections, too. I seem to be always connecting dots in my writing (or trying to).

What genre do your books fall under?

The Cabinet book is definitely nature writing, with some essence of memoir blended in. Harriet’s Voice  is part memoir, part self-help for writing mothers. Get Satisfied = nature-oriented/reflective essay. BTW I think the essay form is totally underrated!

Which actors would you choose to play your characters in a movie rendition?

My dog Molly is key in the Cabinet book and can be quite girly but also gritty and down to earth–Meryl Streep?? My son gets a lot of mentions, too–can’t recall any 13-year-old actors who could do Gavin justice.

What is the one-sentence synopsis of your book?

OK–excellent marketing practice for me. Have to do it in third person, imagining I am a gushing but sincere blurb writer featured on the back of the book (PS also breaking the rules and writing 2 sentences. I am more Wolfe than Hemingway): Each walk-inspired essay from Katherine Hauswirth hands you a significant talisman from nature that you can turn over thoughtfully in your palm. Her meditative reveries reflect on the deep connections between what we experience outdoors and our day-to-day existence as humans.   

Will your book(s) be self-published or represented by an agency?

Agency, for sure. Know any good agents??

My first self-published book, Things My Mother Told Me , was almost forced upon me–I won an essay contest and the prize was a self-publishing contract. I see it primarily as a family keepsake, although it was a fortuitous exercise that taught me I actually CAN write a book. Harriet’s Voice is a love letter to Harriet Beecher Stowe and a letter of encouragement to writing mothers. I sometimes wonder if I should have held out for traditional publishing but after some positive feedback and false starts with publishers/agents was antsy to get the book out of my system. Self-publishing Harriet allowed me to move on to Cabinet! But I respect the traditional publishing world and the quality that it (often) demands. I want to join that club!

How long did it take you to write the first draft of your manuscript?

Cabinet is still in progress. It’s been nearly 2 years and  I have, thankfully, picked up speed. I recently won the honor of Edwin Way Teale Artist in Residence, and I await details on which summer week  I will get to live where the incomparable Teale did, and write without interruption in such an inspiring setting. I expect to be wildly prolific during this heavenly interlude!

What other books would you compare this story to within your genre?

That question is always a tall order. Dare I say it might be in the vein of Pilgrim at Tinker Creek, if Pilgrim were written in fits and starts by a busy, distracted, sandwich-generation, insomniac, working mom who was nearly obsessively jealous of Annie Dillard’s time by herself at the creek?

Who or what inspired you to write this book?

My shelves are crammed with nature books, and I’d be hard pressed to pick one or two volumes that spoke to me most. I consider each one a precious gift–so many meaningful voices have come before me. What inspires me most, actually, are the many walks I take. When they are long enough, and when I am in a deeply listening frame of mind, ideas roll in like welcome waves.

Thanks again to Laurie Baxter for this excuse to expound! For the next leaps and bounds in the blog hop, I nominate Shawndra Miller, and Jean and Gabe of PocketMouse Publishing. I reserve the right to later invite more hopping good writers.

Deep River: It’s in the Stars

Orion, of course, is a constellation.

From Wiikipedia

From Wikipedia

 

But it’s also a very rich read: a nature/environmental magazine, voted America’s Best Environmental Magazine by The Boston Globe. I am thrilled to see my writeup of Deep River, CT, featured on their Place Where You Live page!

Aster Place Comes to CT

Astor Place in New York (Cooper Union building) by David Shankbone

Astor Place in New York (Cooper Union building)
by David Shankbone

I went to school in Manhattan for a while, and Astor Place meant a street in Greenwich Village, named after the incredibly wealthy John Jacob Astor.

 

Aster Place in Deep River

Aster Place in Deep River

When I pulled up my driveway earlier this week, I nearly rubbed my eyes to check my vision. Beyond the comforter and sheets bobbing on the clothesline, and further back, beyond the French drain to the mossy, moist part of the yard, was a sea of white stars. Uncountable asters had grown up, seemingly overnight. We’d never planted them; they just are; a visitor that comes every year as autumn approaches.

Toward the end of last autumn I picked a brownish, aged aster and placed it in a cobalt blue vase. My husband tossed it, thinking it was a bud that had stagnated from neglect. But I saved it because, even well past its prime, it had a modest, stalky beauty, well preserved. It was stalwart after summer ebbed, and I had to give it credit for its staying power.

The common name for the aster flower, which can bloom in white, blue, or purple, is the Michaelmas daisy, so named because it coincides with the feast of St Michael the archangel, according to Herbs Treat and Taste. The site also tells me that Virgil, some years before the start of AD (or Common Era), wrote about the flower, alluding to its use on holy shrines. I treasure the timelessness of these words nearly as much as I do gazing down out our bumper crop of stars:

There is a useful flower
Growing in the meadows, which the country folk
Call star-wort, not a blossom hard to find,
For its large cluster lifts itself in air.
Out of one root; its central orb is gold
But it wears petals in a numerous ring
Of glossy purplish blue; ’tis often laid
In twisted garlands at some holy shrine.
Bitter its taste; the shepherds gather it
In valley-pastures where the winding streams
Of Mella flow. The roots of this, steeped well,
In hot, high-flavored wine, thou may’st set down
At the hive door in baskets heaping full.

Rich in Raspberries

2014-07-31 07.10.08

I’ve got to give my son Gavin credit for this blog’s title, and top billing in this week’s photo, too. He mused aloud that we were “rich in raspberries” as we industriously filled two sandwich bags with our picks from a tangle of roadside bushes. They were a bit of breakfast, and later, at the close of the day, dessert with whipped cream.

We had to consult a friend to be sure the berries we saw springing up everywhere were safe. Our Backyard Foraging book neglected this particular species, and I was seriously afraid that there might be imposters that looked and smelled like wild raspberries but were actually an artfully disguised malevolent toxin that would leave us gasping for breath. But once we got the all clear, the worst thing that happened was a little patch of poison ivy on Gavin’s arm, a small price for the juicy pleasure of the experience.

On the way up the hill to our best picking spot, we saw a wealth of small birds and a duet of deer, and realized that they, also, were probably relishing the seemingly unceasing red harvest. Something about eating right from the bush, and about sharing the joy with a bevy of creatures, made the berries taste that much sweeter.

Amidst the satisfying pick, I also felt sad when thinking about how removed from the land most of us have become. On the other hand, there remains a stalwart cadre of faithful kitchen gardeners, and foraging seems to have picked up in many sectors, to me a powerful sign of the collective desire to reconnect with the good earth. Recently, I took great pleasure in the book Closer to the Ground, particularly relishing its tales of a family’s catches from the Pacific Northwest waters and coastline.  I thought back to a piece I wrote years earlier surrounding an older book by Nelson Coon, called Using Wayside Plants. Coon was inspired by William Miller, a hobo who dug himself snug places to sleep below the snow, tapped sugar maples with hollowed elderberry twigs, and chewed black birch bark to stave hunger. The read was rich with recipes for sorrel and nettle soups, ink cap mushrooms dug from the roots of trees, clover bloom vinegar, elderberry waffles, and the piece de la resistance —Irish Moss Blanc Mange.

I’ve never had the pleasure of tasting this dish, but I see that Coon’s Irish Moss dessert wasn’t as rare and exotic as I imagined—Fannie Farmer included it in her famed early 20th century cookbook  and a much more recent Block Island cookbook  also put it on the menu. I love the Haiku-like simplicity of how the recipe starts:

Gather fresh moss on the beach.
Rinse well in cold water and
Spread in the sun to dry.

Whether I’ll ever gather sufficient moss and stick-to-itiveness to make such a dish happen, I can’t say. But it does make me appreciate the abundance of both land and sea, and long for the harvest that happens so much less often these days at the individual level, but is there for the taking. The satisfaction it yields is as filling as the food itself.

(A shout out here to my nephew Will, too, who has inspired me with his artful foraging! I still want a mushroom lesson).

The Call of Pick Your Own

We have an orchard within a long walk from our house. We’ve never walked to it, though, because how could we leave there without carting an abundance: bushels of apples, jugs of cider, prizes from the farm stand? Our haul wouldn’t mix well with the busy road and its narrow shoulder, although I still consider the adventure from time to time.

It was at this orchard, only a few years ago, that I first saw a pear tree. I was taken by its golden aura in the early autumn sunlight. Every year they put out a PYO (pick your own) sign when the berries come in, and somehow I never make it there—in fact, I don’t recall ever picking berries from a patch. This year, I am determined to make it to blueberry harvest and emerge, stained purple, happy, and ready for a pie.

I’ve been reading about harvests lately, a venture that goes so well with the spilling proliferation of summer, vines and stems laden with promise.

Anne Porter (who was artist Fairfield Porter’s wife) captures that spilling over in her poem The Pear Tree—here are the last two stanzas:

And every blossom
Is flinging itself open
Wide open

Disclosing every tender filament
Sticky with nectar
Beaded with black pollen.

In Early Spring, ecologist Amy Seidl mixes her scientific knowledge about climate change with her love (and worry) for her Vermont surroundings. Her words about berries make me want to garden ambitiously, perhaps even with an orchard in mind:

 …I walk the acre as if it were a hundred, planning the geometry for my fruit tree grid. I envision apple, pear, and plum, and of course the hardy Reliance peach. And in as many places as possible, berries: currant, gooseberry, blackberry, raspberry, and blueberry. The list of varieties reads like a children’s fairy tale, a version of “Hansel and Gretel” where visitors stumble across an Eden dripping in fruit rather than a cottage dripping in frosting. It is very much a gardener’s fantasy, one founded in the belief that life is abundant and the role of humans is to work with nature to manifest more abundance.

This triggered a memory of my own attempt to capture an orchard on a page, actually a specific, memorable day when Gavin was still quite young and  first learned to love apples:

Orchard Day

Miles of trees, Macoun, McIntosh, Empire
and then the illuminated pears

The perfect gild and form
made him lean from the wagon
grabbing for fruit

At home we leaned down together to core it all,
heard the breaking skin, split and crunch, squirt of juice

How solemnly he sought and sorted the seeds,
big plans to plant our own grove just outside

It was a little cold that day–didn’t know the right depth or soil or way to tend

Should have planted them anyway.